This image demonstrates the necessity of nationalizing church property. It shows a peasant cutting the fingers off a priest’s hands; a nobleman cannot bear to watch, but has no qualms about putting on the gloves the clergyman will no longer need.…
With the Bastille being destroyed in the background, a member of the Third Estate breaks his shackles. Here, the clergy and nobility recoil in fear, thereby emphasizing the conflict between the estates.
Class solidarity was never universal, as this print celebrates the victory of the peasantry over the nobility and clergy. The two defeated orders, linked together to create a horse, support the peasant who with his newly-won freedom, carries the…
Social discrimination against old regime elites continued in this parody of a famous painting prior to the Revolution, The Oath of the Horatii, by Jacques–Louis David which focused on the courage of three brothers who thrust their arms bravely…
This image shows the three orders unified by religion. The Virgin standing at right in a cloud holds a cross from which rays emanate to three figures representing the clergy, nobility, and Third Estate. A hooded figure with a serpent’s tail,…
The National Assembly also eliminated monasteries, since monks and nuns had increasingly become figures of ridicule. This image depicts the dissolution of the religious orders, rather than the confiscation of lands, as the crucial element in…
This engraving from the Berthault series depicts Stanislas Maillard bravely climbing on a plank over the dry moat surrounding the fortress to accept from one of the soldiers Launay’s "capitulation" of the Bastille.
The shoemaker shown here is president of his neighborhood revolutionary committee. Although this engraving does not portray a specific political activity, the character evokes hostility toward laborers and artisans who involved themselves in…
This engraving depicts a revolutionary club as a circus act complete with dancing dogs and clowns, all celebrating "the law and the King." This image might have been visual propaganda on behalf of clubs, suggesting that they could bring different…
From an English periodical of 1819, this antirevolutionary print portrays the sans–culottes as drunkards anxious to destroy by fire, gallows, and guillotine rather than to work for their own good. The image satirizes the idea of sans–culotte…
